{"title":"Artists Books","description":"","products":[{"product_id":"lerato-shadi","title":"Lerato Shadi","description":"We are delighted to be able to introduce Lerato Shadi’s first monograph. In her work, it is the marginalized that Shadi puts centre stage, negotiating bodies discriminated against in racist, sexist or classist ways, along with the experiences inscribed in them. Employing different media, Shadi addresses issues of institutional violence, patriarchal and colonial strategies of exclusion and erasure but also highlights resistant subjective narratives. Focusing on the predominantly Western historiography, she deploys artistic means to make visible the deliberately overlooked and repressed. Central to Shadi’s work is the question of perspective: recognizing that we all bring with us our own horizons of experience, deriving from our socialization and biography. Shadi elucidates and affirms that her work relates to her own individual perspective, and draws its power from it. Rather than considering it as a weakness, she sees subjectivity as a great strength, provided that one is aware of it. For Shadi, recognizing one’s own limited perspective, one’s own unknowingness, is the key to an appreciative, diverse coexistence based on mutual understanding.","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":46792956313930,"sku":"9783948212742","price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/Lerato-Shadi-scaled.png?v=1685540472"},{"product_id":"a-space-for-empathy","title":"John Akomfrah: A Space of Empathy","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJohn Akomfrah (b. 1957) creates thoughtful video works of haunting audiovisual intensity. He tells of the radical changes and crises of the present and past on characteristic large-format screens. From November 9, 2023 to January 28, 2024, the Schirn Kunsthalle Frankfurt is presenting for the first time a comprehensive overview of the artist’s work in Germany, featuring a selection of three major multichannel installations from recent years: The Unfinished Conversation (2012), Vertigo Sea (2015), and Akomfrah’s new work, Becoming Wind (2023). A co-founder of the influential London-based Black Audio Film Collective (established in 1982), Akomfrah’s work interweaves newly shot film sequences with archival material to create multilayered, at times associative collages, frequently in the form of simultaneous narrative structures. Akomfrah’s immersive installations critically examine colonial pasts, global migration, and the climate crisis. He addresses one-dimensional historical representations by allowing multiple perspectives to emerge in the narrative, disrupting the notion of linearity and the illusion of a one and only truth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCo-published with Schirn Kunsthalle Frankfurt.\u003c\/span\u003e\u003c\/p\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":47321506480458,"sku":"9783949973444","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/John-Akomfrah-scaled-e1705792234136.jpg?v=1708332673"},{"product_id":"akinbode-akinbiyi","title":"Akinbode Akinbiyi: Sometimes to be lost is to be found, and to be found is to be lost anew","description":"\u003cp\u003eThe photographer, the wanderer, glides softly in the crush of the everyday, stepping out onto awkwardly paved sidewalks, weaving through crowds, seeking out moments of quiet serendipity. It’s in happenstance, coincidence, that the magic becomes immanent, the constantly weaving, liminal threads taking shape, becoming momentarily visible, forming into occurrences that vibrate, are.\u003c\/p\u003e\n\u003cp\u003e—Akinbode Akinbiyi\u003c\/p\u003e\n\u003c!----\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":48845317472586,"sku":"9783949973567","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/akinbode2.jpg?v=1720700831"},{"product_id":"voices-ghanas-artists-in-their-own-words","title":"Voices - Ghana's Artists in Their Own Words","description":"\u003cp\u003eWe have teamed up with Accra-based MANJU JOURNAL for a new artistic anthology - a book that documents and celebrates Ghanaian visual artists, their creative excellence and the country’s arts community.\u003c\/p\u003e\n\u003cp\u003eAfrica’s status in the contemporary art world cannot be ignored and the new vanguard of Ghanaian visual artists are emblematic of this influential cultural movement. Increasingly confident of their place in the world as their art moves from being othered to being the new mainstream, these artists tell of their creative journeys and successes. \u003c\/p\u003e\n\u003cp\u003eInstead of being another outsider viewpoint of African art, our book has been created to be a first-person document of the current art scene in Ghana as told by those within the community. \u003c\/p\u003e\n\u003cp\u003eAs artist Derek Fordjour extols: “we are witnessing a generation of Africans that are the most connected that we have ever been at any point in history and there is a cultural revolution afoot, not just in contemporary art, literature and music, but also in entrepreneurship and technology.”\u003c\/p\u003e\n\u003cp\u003e.\u003c\/p\u003e\n\u003cp\u003eVOICES: GHANA’S ARTISTS IN THEIR OWN WORDS showcases Ghana’s visual artists and the remarkable community that they have nurtured within the country and the diaspora.\u003c\/p\u003e\n\u003cp\u003eThe book features over ninety exclusive interviews with Ghanaian visual artists, curators and gallerists working today in the country and as part of the diaspora, including Kesewa Aboah, James Barnor, Zohra Opoku, Campbell Addy, Na-Chainkua Reindorf, Anya Paintsil, Serge Attukwei Clottey, Osei Bonsu, Kwesi Botchway, Kusheda Mensah, Bafic, Godfried Donkor, Otis Quaicoe, Derek Fordjour, Gideon Appah, Annan Affotey and David Alabo.\u003c\/p\u003e\n\u003cp\u003e.\u003c\/p\u003e\n\u003cp\u003e“Who’s to say that the Cezanne of the 21st Century might not be a Ghanaian artist? Transformative works of art can come from anywhere and what we’ve seen in the last ten years in Ghana is a Renaissance. It’s not only brought about a wave of creative production but an understanding for the artists to see themselves as having the ability to be part of a global conversation.” Osei Bonsu, Curator International Art, Tate Modern\u003c\/p\u003e\n\u003cp\u003eOur book also contains:\u003c\/p\u003e\n\u003cp\u003eA foreword by the writer and curator Ekow Eshun, an introduction by Richmond Orlando Mensah, Founding Director of MANJU Journal, and an afterword by Paul Ninson, Director of DIKAN, Accra.\u003c\/p\u003e\n\u003cp\u003e* 5% of company profits from sales will be donated to causes and efforts that support grassroots visual arts.\u003c\/p\u003e","brand":"Twentyfour Thirtysix","offers":[{"title":"Default Title","offer_id":49398229795146,"sku":"9781915348012","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/Voices_1_LR.jpg?v=1765126070"},{"product_id":"by-the-means-at-hand","title":"By the means at hand","description":"\u003cp\u003e\u003ci\u003eBy the Means at Hand\u003c\/i\u003e offers a look into Vlatka Horvat’s eponymous project, presented at the Pavilion of Croatia at the 60th International Art Exhibition—La Biennale di Venezia in 2024.\u003c\/p\u003e\n\u003cp\u003eHorvat invited some 200 international artists – friends and friends of friends, all living “as foreigners” in different countries around the world – to exchange small-scale artworks with her, all made for the occasion. For every work she received, Vlatka sent to each artist a collage from the series she was making while in residence in Venice, using images of the city she has taken on her daily walks. All the artworks travelled to Venice and back via informal transport networks; in bags and suitcases of friends, acquaintances, and sometimes strangers enlisted as couriers for the project.\u003c\/p\u003e\n\u003cp\u003eBreaking the frame of the traditional exhibition catalogue, the publication mirrors the evolving nature of the work through a combination of documentation, dialogue, and reflections on the process. The book frames the project through exhibition images by photographer Hugo Glendinning, as well as through Horvat’s extraordinary collage series at the heart of the project.\u003c\/p\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":50431860965706,"sku":"9783949973765","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/Cover_f839ab6d-c4ce-480f-8767-9da574adc692.jpg?v=1764704641"},{"product_id":"damir-avdagic-prijenosi-overforinger-transmissions","title":"Damir Avdagić: Prijenosi\/Overføringer\/Transmissions","description":"\u003cp dir=\"ltr\" style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\" id=\"docs-internal-guid-1a7b3e91-7fff-7b56-020c-9f85fad4c6c4\"\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003ePrijenosi\/Overføringer\/Transmissions\u003c\/span\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e is Damir Avdagi\u003c\/span\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #1a1a1a; background-color: #ffffff; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eć\u003c\/span\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e´s first artist monograph. Avdagi\u003c\/span\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #1a1a1a; background-color: #ffffff; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eć\u003c\/span\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e´s practice examines the socio-political implications of the conflict in the former Yugoslavia (1991-95) through text, performance and video. By collecting stories spoken by members of the Yugoslav diaspora and activating them through strategies of performance, Avdagi\u003c\/span\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #1a1a1a; background-color: #ffffff; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eć\u003c\/span\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e reflects broadly on historical memory, identity and transgenerational transmission. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003ePrijenosi\/Overføringer\/Transmissions\u003c\/span\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e provides a visual survey of four projects created by Avdagi\u003c\/span\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #1a1a1a; background-color: #ffffff; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eć\u003c\/span\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e between 2014 and 2024. In addition, the publication features texts by Sabeth Buchmann, Slavenka Drakuli\u003c\/span\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #1a1a1a; background-color: #ffffff; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eć\u003c\/span\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e and Jasmina Tumbas as well as a conversation between visual artist Mary Kelly and Avdagi\u003c\/span\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #1a1a1a; background-color: #ffffff; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eć\u003c\/span\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e, giving a deep insight into the processes, methods and subject matter of his work. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 13.999999999999998pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eDamir Avdagić (b.1987, Banja Luka, BiH) is an artist based in Oslo, Norway. He is a graduate of the Royal Danish Academy of Fine Arts (MFA, 2008–14) and the University of California, Los Angeles (MFA, 2013–16). Solo exhibitions of his work have been presented at Unge Kunstnernes Samfund \/ The Young Artists Society, Oslo (2024); The North Norwegian Art Centre, Svolvær (2023); 18th Street Art Center, Santa Monica (2020); and Entree Gallery, Bergen (2018). His work has been shown in group exhibitions at The Inside Out Museum, Beijing (2024); Contemporary Arts Centre Gallery (CAC), Irvine (2024); Whitechapel Gallery, London (2023); Changwon Sculpture Biennale 2022, Changwon, South Korea (2023); KRAK Centre for Contemporary Culture, Bihać (2021); Framer Framed, Amsterdam (2021) among others.\u003c\/span\u003e\u003c\/p\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":50737224745290,"sku":"9783949973864","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/unnamed.png?v=1745440318"},{"product_id":"invisible-tapestry-vol-2","title":"Invisible Tapestry Vol. 2","description":"\u003csection data-test=\"page-section\" data-section-theme=\"\" class=\"page-section \n    \n      full-bleed-section\n      layout-engine-section\n    \n    background-width--full-bleed\n    \n      \n        section-height--custom\n      \n    \n    \n      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data-sqsp-text-block-content=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003eInvisible Tapestry Vol. 2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003epink noise press\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003eInvisible Tapestry is an interview zine that weaves together the untold stories of women artists on the margins, delving into how they navigate their identities and practices within intersecting realms. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003eThe second issue features interviews with Jiyoung Yoon and Kirenia Martínez Acosta.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003eJiyoung Yoon’s practice explores how individuals respond to external circumstances, working through sculpture, installation, text, and video, examining notions of interiority as hidden inner structures that inform these responses and, by extension, the social experience.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003eKirenia Martínez Acosta is a Cuban multidisciplinary artist, dancer, choreographer, actress, and curator based in Galicia, Spain. Her work explores the body as a site of memory, inclusion, and transformation, weaving movement and poetry into spaces of empathy and resistance.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003eThe conversation touches on what drives them to continue their practice, how lived experience shapes their ways of working, and how art from the periphery is perceived through a Eurocentric lens.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"sqsrte-small preFade fadeIn\"\u003e \u003c\/p\u003e\n\u003cp class=\"sqsrte-small preFade fadeIn\"\u003epink noise press is an independent publishing platform facilitating a space for the subtle and invisible.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection data-test=\"page-section\" data-section-theme=\"\" class=\"page-section \n    \n      full-bleed-section\n      layout-engine-section\n    \n    background-width--full-bleed\n    \n      \n        section-height--custom\n      \n    \n    \n      content-width--wide\n    \n    horizontal-alignment--center\n    vertical-alignment--bottom\" data-section-id=\"64dcb495fa08dc4155987566\" data-controller=\"SectionWrapperController\" data-current-styles='{\n        \"imageOverlayOpacity\": 0.15,\n        \"backgroundWidth\": \"background-width--full-bleed\",\n        \"sectionHeight\": \"section-height--custom\",\n        \"customSectionHeight\": 1,\n        \"horizontalAlignment\": \"horizontal-alignment--center\",\n        \"verticalAlignment\": \"vertical-alignment--bottom\",\n        \"contentWidth\": \"content-width--wide\",\n        \"customContentWidth\": 50,\n        \"sectionTheme\": \"\",\n        \"sectionAnimation\": \"none\",\n        \"backgroundMode\": \"image\"\n      }' data-current-context='{\n        \"video\": {\n          \"playbackSpeed\": 0.5,\n          \"filter\": 1,\n          \"filterStrength\": 0,\n          \"zoom\": 0,\n          \"videoSourceProvider\": \"none\"\n        },\n        \"backgroundImageId\": null,\n        \"backgroundMediaEffect\": {\n          \"type\": \"none\"\n        },\n        \"divider\": {\n          \"enabled\": false\n        },\n        \"typeName\": \"page\"\n      }' data-animation=\"none\" data-fluid-engine-section=\"\" data-controllers-bound=\"SectionWrapperController\" data-active=\"true\"\u003e\n\u003cdiv class=\"section-border\"\u003e\n\u003cdiv class=\"section-background\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"content-wrapper\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv data-fluid-engine=\"true\"\u003e\n\u003cdiv class=\"fluid-engine fe-64dcb495fa08dc4155987565\"\u003e\n\u003cdiv class=\"fe-block fe-block-30a1d91d5c554fba781c\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}' data-sqsp-block=\"text\" id=\"block-30a1d91d5c554fba781c\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\" data-sqsp-text-block-content=\"\"\u003e\n\u003cp class=\"sqsrte-small preFade fadeIn\"\u003e\u003cspan class=\"sqsrte-text-color--custom\"\u003eINVISIBLE TAPESTRY is a zine that weaves together the untold stories of women artists on the margins — moving to find their own colours.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Pink Noise Press","offers":[{"title":"Default Title","offer_id":53270516597066,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/C3AA3B91-2917-4EE7-8CBB-DB7B2C0B9E4D.png?v=1762778921"},{"product_id":"the-delusion","title":"THE DELUSION","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eCoinciding with the exhibition, Serpentine and Archive Books have released the artist's first monograph - THE DELUSION. It envisions a 'new bible for emotional processing' and offers intimate insight into the project, as well as the artist's broader practice, in a gamified, interactive style.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eContributors include Rebecca Allen, Barby Asante, Tamar Clarke-Brown, Hans Ulrich Obrist, Shenece Oretha, Legacy Russell, Mindy Seu, Ebun Sodipo, Helen Starr, ROsa-Johan Uddoh, Mckenzie Wark and Kay Watson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEdited by Tamar Clarke-Brown in collaboration with Managing Editor, Cairo Clarke. Co-published by Serpentine and Archive Books.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eHardcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIllustrated in colour throughout\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e192pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBook design by Jamie Reid Studio\u003c\/span\u003e\u003c\/p\u003e","brand":"Archive Books and Serpentine","offers":[{"title":"Default Title","offer_id":53323273273674,"sku":"9783949973970","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/IMG_1581.heic?v=1764706080"},{"product_id":"al-moutawassit-cultural-mediation-as-a-meeting-point","title":"Al Moutawassit: Cultural Mediation As a Meeting Point","description":"\u003cdiv class=\"components-shared-blocks-rich-text--root--l0d4H font-size-default\" data-first-block=\"\"\u003e\n\u003cdiv class=\"components-core-truncated-text--root--ZXYK8\"\u003e\n\u003cdiv class=\"components-core-text--root--KVncZ\"\u003e\n\u003cp data-first-node=\"\"\u003eThe publication is the result of Manifesta 13 Tiers Programme project\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAl Moutawassit: cultural mediation as a meeting point\u003c\/i\u003e, the autumn school for young professionals working in the fields of contemporary art, formal education, research, and social action in Algeria, France, Morocco, and Tunisia.\u003c\/p\u003e\n\u003cp data-last-node=\"\"\u003eThe project was initiated together with Atelier de l’Observatoire in Casablanca and Art Rue in Tunis to expand the prevailing understanding of arts education and audience engagement practices in France (where they are known as ‘cultural mediation’) and in other Western contexts.\u003c\/p\u003e\n\u003cp data-last-node=\"\"\u003e\u003cspan\u003eThis publication is composed of three parts. The first is devoted to commissioned texts that contextualize what is understood as audience engagement and education in the different national perimeters participating in the Al Moutawassit project. The second part of the publication documents the work of the twenty-one participants of Al Moutawassit. They worked in groups on four thematic approaches to education and outreach: decentring and decolonising knowledge; situated, territorialised mediation; questioning methodologies; and institutional analysis and power relations within institutions. A collective bibliography closes the publication and brings together resources gathered during the online school and augmented by the speakers, participants, organisers, and tutors.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":60885958918474,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/thumbnail_IMG_0658_e916a457d9.jpg?v=1768754367"},{"product_id":"artist-book-by-manuel-tozzi-2018-2024","title":"Artist Book by Manuel Tozzi, 2018-2024","description":"\u003cp class=\"p1\"\u003eThis book is a carefully curated selection of works by Berlin-based artist Manuel Tozzi. The publication combines Tozzi's drawings, sculptures, video animations and installations, created between 2018 and 2024 in a high-quality book format. It was published on the occasion of Tozzi's exhibition at met galerie Berlin, the artist's first solo exhibition in Germany in spring 2025.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIts simple layout was designed by Hannah Shong, whose clear aesthetic perfectly complements the artworks' visual language. The minimalist design not only invites readers to go through it freely, but also sparks curiosity and individual associations. A special feature of this book is the many photographs, some of which come from the artist's private archive and offer art lovers of all ages and backgrounds an intimate insight into Tozzi's wide range of artistic practice.\u003c\/p\u003e","brand":"Manuele Tozzi","offers":[{"title":"Default Title","offer_id":60909409534282,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/ArtistBook_PresseImage_01.jpg?v=1769015292"},{"product_id":"two-centimeters-too-short-the-unspoken-truty","title":"Two centimeters too short: the unspoken truth Bullein for 2024","description":"","brand":"Theodor Di Ricco","offers":[{"title":"Default Title","offer_id":60909424771402,"sku":null,"price":3.5,"currency_code":"EUR","in_stock":true}]},{"product_id":"emily-cheng-in-the-weave-of-worlds-alchemy-in-painting","title":"Emily Cheng in the Weave of Worlds, Alchemy in Painting","description":"\u003cp\u003eEmily Cheng \u003cbr\u003eIn the Weave of Worlds\u003c\/p\u003e\n\u003cp\u003eIn the Weave of Worlds by Emily Cheng explores unseen connections and energies, inspiring themes in exhibitions like 2025’s A Knowing featuring her work alongside other artists. Her art often features intricate mandalas and vibrant patterns reflecting Eastern spirituality, creating mystical and ethereal visuals that delve into interconnectedness, a concept central to her book. \u003c\/p\u003e\n\u003cp\u003eChinese Translation by Lhamo Yue Liu\u003c\/p\u003e\n\u003cp\u003eGerman Translation by Wolf-Dieter Stoeffelmeier\u003c\/p\u003e\n\u003cp\u003eCopy editing (English and Chinese) by Kaining Zhu\u003c\/p\u003e\n\u003cp\u003eDesign by Tracy Jiayue Huang\u003c\/p\u003e\n\u003cp\u003ePrinted by Henan Post and Telecom Technology Co., Ltd\u003c\/p\u003e\n\u003cp\u003eISBN 978-3-949973-90-1\u003c\/p\u003e\n\u003cp\u003eSoftcover, 170 pages \u003cbr\u003e\u003c\/p\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":60930160689482,"sku":"9783949973901","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/emily_cheng.jpg?v=1772384629"},{"product_id":"praise-house","title":"Praise House","description":"\u003cp\u003eThe idea of connection is at the center of Adama Delphine Fawundu’s practice as it relates to the larger theme of physical and non-physical connections between Africa and its Diaspora. These connections are especially significant in that, they persist in spite of the terrorism of European colonialism and slavery meant to dislocate and disorient people of African descent.\u003cbr\u003e—Kalia Brooks\u003c\/p\u003e\n\u003cp\u003eBuilding on the notion of ‘praise,’ Adama Delphine Fawundu frames this book as a celebration of life. She honors the stories whispered to her by her mother; she adorns her body in her grandmother’s textile work; she elevates the memory of various named and unnamed Black women of the diaspora and documents the iconic small Civil War era styled white wooded praise house on a patch of land off the side of a road in South Carolina not far from Beaufort creating an intimate body of work of color photography of an interconnected history.\u003c\/p\u003e\n\u003cp\u003eThis book about female figures—grandmothers, mothers, daughters, artists, caregivers, storytellers, and cooks—explores a range of emotions that consume us about family life and history. It is both an art book\u003cbr\u003eand a memoir. Viewing it brings us face to face with known and unknown cultures and introduces us to various art practices shared, taught, and learned through the African diasporic traditions. Fawundu connects to the self through history, joy, and beauty and offers the reader ways to navigate fear based on migration and loss. It is a gift, too, as it allows us to imagine alongside the artist.\u003c\/p\u003e\n\u003cp\u003eThe energy of this book is intertwined with spiritual connections to cloth, land, and the ocean. Fawundu uses various materials, from found objects to family mementoes, to evoke experiences from a history marked by slavery and colonization, as well as uplifting stories of love and family. The book contains a wide range of photographic moments, from self-portraits to lush scenes and architectural structures, all aimed at offering a more nuanced portrayal of how the Black female body has been un\/seen in the history of photography. Fawundu brings critical insights into the conditions of overlooked stories of women in history and the Black diasporic archive. She explores\u003cbr\u003emultiple aspects of subjectivity, pleasure, violence, and identity formation throughout her oeuvre, seeking connections through the lens.\u003c\/p\u003e\n\u003cp\u003eFawundu’s work questions and challenges ways to explore diverse yet connecting stories from South Carolina to Argentina to Sierra Leone. She examines the complexity of the representation of women in visual culture by focusing the camera on her own body as representing the past, present, and future. Thus, Fawundu transforms old narratives and engages new stories about memory and the archive in contemporary art. Fragmented personal memories and swatches of fabric, with their sense of nostalgia, are integrated throughout this book as the photographer tackles migration by posing in vintage gowns and batik dresses from her mother and grandmother’s trunks, wearing shells, grass, African Masks, ferns, and carrying flowers, and walking in clear and murky waters.\u003c\/p\u003e\n\u003cp\u003e—Deborah Willis\u003c\/p\u003e\n\u003cp\u003eAdama Delphine Fawundu is an artist based in Brooklyn, NY of Mende, Bubi, and Krim descent.\u003cbr\u003eThrough photography, video, textile-based sculptural forms, and performance, she creates embodied entities inspired by Indigenous knowledge systems and spiritual retentions across time and space. She co-authored the book MFON: Women Photographers of the African Diaspora. 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