{"title":"Duke UP titles","description":null,"products":[{"product_id":"feminism-without-borders","title":"Feminism without Borders","description":"\u003cp\u003eBringing together classic and new writings of the trailblazing feminist theorist Chandra Talpade Mohanty, Feminism without Borders addresses some of the most pressing and complex issues facing contemporary feminism. Forging vital links between daily life and collective action and between theory and pedagogy, Mohanty has been at the vanguard of Third World and international feminist thought and activism for nearly two decades. This collection highlights the concerns running throughout her pioneering work: the politics of difference and solidarity, decolonizing and democratizing feminist practice, the crossing of borders, and the relation of feminist knowledge and scholarship to organizing and social movements. Mohanty offers here a sustained critique of globalization and urges a reorientation of transnational feminist practice toward anticapitalist struggles.\u003cbr\u003e\nFeminism without Borders opens with Mohanty's influential critique of western feminism (\"Under Western Eyes\") and closes with a reconsideration of that piece based on her latest thinking regarding the ways that gender matters in the racial, class, and national formations of globalization. In between these essays, Mohanty meditates on the lives of women workers at different ends of the global assembly line (in India, the United Kingdom, and the United States); feminist writing on experience, identity, and community; dominant conceptions of multiculturalism and citizenship; and the corporatization of the North American academy. She considers the evolution of interdisciplinary programs like Women's Studies and Race and Ethnic Studies; pedagogies of accommodation and dissent; and transnational women's movements for grassroots ecological solutions and consumer, health, and reproductive rights. Mohanty's probing and provocative analyses of key concepts in feminist thought—\"home,\" \"sisterhood,\" \"experience,\" \"community\"—lead the way toward a feminism without borders, a feminism fully engaged with the realities of a transnational world.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46792474427722,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/products\/9780822330219.jpg?v=1685526539"},{"product_id":"impossible-desires","title":"Impossible Desires","description":"\u003cp\u003eBy bringing queer theory to bear on ideas of diaspora, Gayatri Gopinath produces both a more compelling queer theory and a more nuanced understanding of diaspora. Focusing on queer female diasporic subjectivity, Gopinath develops a theory of diaspora apart from the logic of blood, authenticity, and patrilineal descent that she argues invariably forms the core of conventional formulations. She examines South Asian diasporic literature, film, and music in order to suggest alternative ways of conceptualizing community and collectivity across disparate geographic locations. Her agile readings challenge nationalist ideologies by bringing to light that which has been rendered illegible or impossible within diaspora: the impure, inauthentic, and nonreproductive.\u003cbr\u003e\nGopinath juxtaposes diverse texts to indicate the range of oppositional practices, subjectivities, and visions of collectivity that fall outside not only mainstream narratives of diaspora, colonialism, and nationalism but also most projects of liberal feminism and gay and lesbian politics and theory. She considers British Asian music of the 1990s alongside alternative media and cultural practices. Among the fictional works she discusses are V. S. Naipaul’s classic novel A House for Mr. Biswas, Ismat Chughtai’s short story “The Quilt,” Monica Ali’s Brick Lane, Shyam Selvadurai’s Funny Boy, and Shani Mootoo’s Cereus Blooms at Night. Analyzing films including Deepa Mehta’s controversial Fire and Mira Nair’s Monsoon Wedding, she pays particular attention to how South Asian diasporic feminist filmmakers have reworked Bollywood’s strategies of queer representation and to what is lost or gained in this process of translation. Gopinath’s readings are dazzling, and her theoretical framework transformative and far-reaching.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46792474657098,"sku":"9780822335139","price":29.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/products\/9780822335139.jpg?v=1685526549"},{"product_id":"strange-affinities","title":"Strange Affinities","description":"\u003cp\u003eRepresenting some of the most exciting work in critical ethnic studies, the essays in this collection examine the production of racialized, gendered, and sexualized difference, and the possibilities for progressive coalitions, or the “strange affinities,” afforded by nuanced comparative analyses of racial formations. The nationalist and identity-based concepts of race underlying the mid-twentieth-century movements for decolonization and social change are not adequate to the tasks of critiquing the racial configurations generated by neocolonialism and contesting its inequities. Contemporary regimes of power produce racialized, gendered, and sexualized violence and labor exploitation, and they render subjects redundant and disposable by creating new, nominally nonracialized categories of privilege and stigma. The editors of Strange Affinities contend that the greatest potential for developing much-needed alternative comparative methods lies in women of color feminism, and the related intellectual tradition that Roderick A. Ferguson has called queer of color critique. Exemplified by the work of Audre Lorde, Cherríe Moraga, Barbara Smith, and the Combahee River Collective, these critiques do not presume homogeneity across racial or national groups. Instead, they offer powerful relational analyses of the racialized, gendered, and sexualized valuation and devaluation of human life.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46792475509066,"sku":"9780822349853","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/products\/9780822349853.jpg?v=1685526581"},{"product_id":"south-asian-feminisms","title":"South Asian Feminisms","description":"\u003cp\u003eDuring the past forty years, South Asia has been the location and the focus of dynamic, important feminist scholarship and activism. In this collection of essays, prominent feminist scholars and activists build on that work to confront pressing new challenges for feminist theorizing and practice. Examining recent feminist interventions in India, Pakistan, Sri Lanka, and Bangladesh, they address feminist responses to religious fundamentalism and secularism; globalization, labor, and migration; militarization and state repression; public representations of sexuality; and the politics of sex work. Their essays attest to the diversity and specificity of South Asian locations and feminist concerns, while also demonstrating how feminist engagements in the region can enrich and advance feminist theorizing globally.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46792475836746,"sku":"9780822351795","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/products\/9780822351795.jpg?v=1685526588"},{"product_id":"political-life-in-the-wake-of-the-plantation","title":"Political Life in the Wake of the Plantation","description":"\u003cp\u003eIn 2010, Jamaican police and military forces entered the West Kingston community of Tivoli Gardens to apprehend Christopher “Dudus” Coke, who had been ordered for extradition to the United States on gun and drug-running charges. By the time Coke was detained, somewhere between seventy-five and two hundred civilians had been killed. In Political Life in the Wake of the Plantation, Deborah A. Thomas uses the incursion as a point of departure for theorizing the roots of contemporary state violence in Jamaica and in post-plantation societies in general. Drawing on visual, oral historical, and colonial archives, Thomas traces the long-term legacies of the plantation system and how its governing logics continue to shape and replicate forms of violence. She places affect at the center of sovereignty to destabilize disembodied narratives of liberalism and progress and to raise questions about recognition, repair, and accountability. In tying theories of politics, colonialism, race, and affect together with Jamaica's history, Thomas presents a robust framework for understanding what it means to be human in the plantation's wake.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46792482160970,"sku":"9781478006695","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/products\/9781478006695.jpg?v=1685526611"},{"product_id":"time-binds","title":"Time Binds. Queer Temporalities, Queer Histories.","description":"\u003cp\u003eTime Binds is a powerful argument that temporal and sexual dissonance are intertwined, and that the writing of history can be both embodied and erotic. Challenging queer theory’s recent emphasis on loss and trauma, Elizabeth Freeman foregrounds bodily pleasure in the experience and representation of time as she interprets an eclectic archive of queer literature, film, video, and art. She examines work by visual artists who emerged in a commodified, “postfeminist,” and “postgay” world. Yet they do not fully accept the dissipation of political and critical power implied by the idea that various political and social battles have been won and are now consigned to the past. By privileging temporal gaps and narrative detours in their work, these artists suggest ways of putting the past into meaningful, transformative relation with the present. Such “queer asynchronies” provide opportunities for rethinking historical consciousness in erotic terms, thereby countering the methods of traditional and Marxist historiography. Central to Freeman’s argument are the concepts of chrononormativity, the use of time to organize individual human bodies toward maximum productivity; temporal drag, the visceral pull of the past on the supposedly revolutionary present; and erotohistoriography, the conscious use of the body as a channel for and means of understanding the past. Time Binds emphasizes the critique of temporality and history as crucial to queer politics.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46792483012938,"sku":"9780822348047","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/products\/9780822348047.jpg?v=1685526656"},{"product_id":"sylvia-wynter","title":"On Being Human as Praxis","description":"\u003cp\u003eThe Jamaican writer and cultural theorist Sylvia Wynter is best known for her diverse writings that pull together insights from theories in history, literature, science, and black studies, to explore race, the legacy of colonialism, and representations of humanness. Sylvia Wynter: On Being Human as Praxis is a critical genealogy of Wynter’s work, highlighting her insights on how race, location, and time together inform what it means to be human. The contributors explore Wynter’s stunning reconceptualization of the human in relation to concepts of blackness, modernity, urban space, the Caribbean, science studies, migratory politics, and the interconnectedness of creative and theoretical resistances. The collection includes an extensive conversation between Sylvia Wynter and Katherine McKittrick that delineates Wynter’s engagement with writers such as Frantz Fanon, W. E. B. DuBois, and Aimé Césaire, among others; the interview also reveals the ever-extending range and power of Wynter’s intellectual project, and elucidates her attempts to rehistoricize humanness as praxis.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46792483045706,"sku":"9780822358343","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/products\/9780822358343.jpg?v=1685526658"},{"product_id":"white-innocence","title":"White Innocence","description":"\u003cp\u003eIn White Innocence Gloria Wekker explores a central paradox of Dutch culture: the passionate denial of racial discrimination and colonial violence coexisting alongside aggressive racism and xenophobia. Accessing a cultural archive built over 400 years of Dutch colonial rule, Wekker fundamentally challenges Dutch racial exceptionalism by undermining the dominant narrative of the Netherlands as a \"gentle\" and \"ethical\" nation. Wekker analyzes the Dutch media's portrayal of black women and men, the failure to grasp race in the Dutch academy, contemporary conservative politics (including gay politicians espousing anti-immigrant rhetoric), and the controversy surrounding the folkloric character Black Pete, showing how the denial of racism and the expression of innocence safeguards white privilege. Wekker uncovers the postcolonial legacy of race and its role in shaping the white Dutch self, presenting the contested, persistent legacy of racism in the country.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46792483275082,"sku":"9780822360759","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/products\/9780822360759.jpg?v=1685526660"},{"product_id":"black-feminism-reimagined","title":"Black Feminism Reimagined","description":"\u003cp\u003eIn Black Feminism Reimagined Jennifer C. Nash reframes black feminism's engagement with intersectionality, often celebrated as its primary intellectual and political contribution to feminist theory. Charting the institutional history and contemporary uses of intersectionality in the academy, Nash outlines how women's studies has both elevated intersectionality to the discipline's primary program-building initiative and cast intersectionality as a threat to feminism's coherence. As intersectionality has become a central feminist preoccupation, Nash argues that black feminism has been marked by a single affect—defensiveness—manifested by efforts to police intersectionality's usages and circulations. Nash contends that only by letting go of this deeply alluring protectionist stance, the desire to make property of knowledge, can black feminists reimagine intellectual production in ways that unleash black feminist theory's visionary world-making possibilities.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46792486846794,"sku":"9798200332625","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/products\/9781478000594.jpg?v=1685526707"},{"product_id":"african-feminisms","title":"African Feminisms - Meridians","description":"\u003cp\u003eThis special issue, edited by the co-directors of the African Feminist Initiative (AFI) at Pennsylvania State University, is a partnership between Meridians and the AFI. The issue builds on the AFI's work to promote the study of African feminist thought and activism within the U.S. academy and to create equitable partnerships between scholars and practitioners of African feminism. Through the multiplicity of feminisms theorized in this issue, contributors challenge patriarchal ideologies and structures on myriad fronts, both on the African continent and beyond. The issue includes poetry, memoirs, essays, interviews, reflections, and testimonials on African feminisms, addressing such topics as hip hop, ethnography, secessionist movements, “saving” Nigerian girls, and women's writing.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46792487272778,"sku":"9781478004974","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/products\/9781478004974.jpg?v=1685526727"},{"product_id":"revisiting-womens-cinema","title":"Revisiting Women's Cinema","description":"\u003cp\u003eIn Revisiting Women’s Cinema, Lingzhen Wang ponders the roots of contemporary feminist stagnation and the limits of both commercial mainstream and elite minor cultures by turning to socialist women filmmakers in modern China. She foregrounds their sociopolitical engagements, critical interventions, and popular artistic experiments, offering a new conception of socialist and postsocialist feminisms, mainstream culture, and women’s cinema. Wang highlights the films of Wang Ping and Dong Kena in the 1950s and 1960s and Zhang Nuanxin and Huang Shuqin in the 1980s and 1990s to unveil how they have been profoundly misread through extant research paradigms entrenched in Western Cold War ideology, post-second-wave cultural feminism, and post-Mao intellectual discourses. Challenging received interpretations, she elucidates how socialist feminism and culture were conceptualized and practiced in relation to China’s search not only for national independence and economic development but also for social emancipation, proletarian culture, and socialist internationalism. Wang calls for a critical reevaluation of historical materialism, socialist feminism, and popular culture to forge an integrated emancipatory vision for future transnational feminist and cultural practices.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46792491041098,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/products\/9781478010807.jpg?v=1685526751"},{"product_id":"black-trans-feminism","title":"Black Trans Feminism","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003ci\u003eBlack Trans Feminism\u003c\/i\u003e\u003cspan\u003e Marquis Bey offers a meditation on blackness and gender nonnormativity in ways that recalibrate traditional understandings of each. Theorizing black trans feminism from the vantages of abolition and gender radicality, Bey articulates blackness as a mutiny against racializing categorizations; transness as a nonpredetermined, wayward, and deregulated movement that works toward gender’s destruction; and black feminism as an epistemological method to fracture hegemonic modes of racialized gender. In readings of the essays, interviews, and poems of Alexis Pauline Gumbs, jayy dodd, and Venus Di’Khadijah Selenite, Bey turns black trans feminism away from a politics of gendered embodiment and toward a conception of it as a politics grounded in fugitivity and the subversion of power. Together, blackness and transness actualize themselves as on the run from gender. In this way, Bey presents black trans feminism as a mode of enacting the wholesale dismantling of the world we have been given.\u003c\/span\u003e\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46792492581194,"sku":"‎9781478015178","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/products\/9781478017813.jpg?v=1685526784"},{"product_id":"changing-the-subject","title":"Changing the Subject","description":"\u003cp\u003eIn Changing the Subject Srila Roy maps the rapidly transforming terrain of gender and sexual politics in India under the conditions of global neoliberalism. The consequences of India’s liberalization were paradoxical: the influx of global funds for social development and NGOs signaled the co-optation and depoliticization of struggles for women’s rights, even as they amplified the visibility and vitalization of queer activism. Roy reveals the specificity of activist and NGO work around issues of gender and sexuality through a decade-long ethnography of two West Bengal organizations, one working on lesbian, bisexual, and transgender issues and the other on rural women’s empowerment. Tracing changes in feminist governmentality that were entangled in transnational neoliberalism, Roy shows how historical and highly local feminist currents shaped contemporary queer and nonqueer neoliberal feminisms. The interplay between historic techniques of activist governance and queer feminist governmentality’s focus on changing the self offers a new way of knowing feminism—both as always already co-opted and as a transformative force in the world.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46792493203786,"sku":"9780415151382","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/products\/9781478018889.jpg?v=1685526798"},{"product_id":"feminism-in-coalition","title":"Feminism in Coalition","description":"\u003cp\u003eIn Feminism in Coalition Liza Taylor examines how US women of color feminists’ coalitional politics provides an indispensable resource to contemporary political theory, feminist studies, and intersectional social justice activism. Taylor charts the theorization of coalition in the work of Bernice Johnson Reagon, Audre Lorde, Barbara Smith, the Combahee River Collective, Gloria Anzaldúa, Cherríe Moraga, and others. For these activist-scholars, coalition is a dangerous struggle that emerges from a shared political commitment to undermining oppression and an emphasis on self-transformation. Taylor shows how their coalitional understandings of group politics, identity, consciousness, and scholarship have transformed how activists and theorists build alliances across race, class, gender, sexuality, faith, and ethnicity to tackle systems of domination. Their coalitional politics enrich current discussions surrounding the impetus and longevity of effective activism, present robust theoretical accounts of political subject formation and political consciousness, and demonstrate the promise of collective modes of scholarship. In this way, women of color feminists have been formulating solutions to long-standing problems in political theory. By illustrating coalition’s vitality to a variety of practical and philosophical interdisciplinary discussions, Taylor encourages us to rethink feminist and political theory.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46792493498698,"sku":"","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/products\/9781478019152.jpg?v=1685526800"},{"product_id":"okwui-enwezor","title":"Okwui Enwezor: The art of curating. NKA Journal of Contemporary African Art","description":"\u003cp\u003eThis special issue is dedicated to the memory of Okwui Enwezor (1963–2019), the first African and Black curator and director of documenta11 (2002) and the 56th Venice Biennale (2015). The articles and personal tributes collected here recognize the profound impact left by the Nigerian art historian, curator, poet, and educator who transformed the curatorial present of global exhibitions and anticipated their decolonizing futures. Enwezor created political platforms and artistic manifestos that not only changed the form and function of global exhibitions, but also opened up new ways to align activism with aesthetic practices, performative displays, and curatorial initiatives.\u003cbr\u003e\n \u003cbr\u003e\nContributors—art historians and critics, curators, and artists—address how Enwezor’s approach to the exhibition as a “space of public discourse” intersects with theories of affect, indigeneity, race, queer studies, and feminism.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46792493564234,"sku":"","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/products\/9781478021162.jpg?v=1685526806"},{"product_id":"light-in-the-dark-luz-en-lo-oscuro","title":"Light in the Dark\/Luz en lo Oscuro","description":"\u003cspan\u003eWritten during the last decade of her life, \u003c\/span\u003e\u003ci\u003eLight in the Dark\u003c\/i\u003e\u003cspan\u003e represents the culmination of Gloria E. 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The contributors to this innovative collection examine the critical role of “domains of the intimate” in the consolidation of colonial power. They demonstrate how the categories of difference underlying colonialism—the distinctions advanced as the justification for the colonizer’s rule of the colonized—were enacted and reinforced in intimate realms from the bedroom to the classroom to the medical examining room. Together the essays focus attention on the politics of comparison—on how colonizers differentiated one group or set of behaviors from another—and on the circulation of knowledge and ideologies within and between imperial projects. Ultimately, this collection forces a rethinking of what historians choose to compare and of the epistemological grounds on which those choices are based.\u003cbr\u003eHaunted by Empire includes Ann Laura Stoler’s seminal essay “Tense and Tender Ties” as well as her bold introduction, which carves out the exciting new analytic and methodological ground animated by this comparative venture. The contributors engage in a lively cross-disciplinary conversation, drawing on history, anthropology, literature, philosophy, and public health. They address such topics as the regulation of Hindu marriages and gay sexuality in the early-twentieth-century United States; the framing of multiple-choice intelligence tests; the deeply entangled histories of Asian, African, and native peoples in the Americas; the racial categorizations used in the 1890 U.S. census; and the politics of race and space in French colonial New Orleans. Linda Gordon, Catherine Hall, and Nancy F. 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Rosenberg, Damon Salesa, Nayan Shah, Alexandra Minna Stern, Ann Laura Stoler, Laura Wexler\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46806074523978,"sku":"9780822337249","price":35.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/9780822337249.jpg?v=1686049872"},{"product_id":"after-the-imperial-turn","title":"After the Imperial Turn","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom a variety of historically grounded perspectives, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAfter the Imperial Turn\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e assesses the fate of the nation as a subject of disciplinary inquiry. In light of the turn toward scholarship focused on imperialism and postcolonialism, this provocative collection investigates whether the nation remains central, adequate, or even possible as an analytical category for studying history. 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Her illuminating readings juxtapose Frederick Douglass’s narrative of witnessing the brutal beating of his Aunt Hester with Essie Mae Washington-Williams’s declaration of freedom in \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDear Senator: A Memoir by the Daughter of Strom Thurmond\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, as well as the “generational genital fantasies” depicted in Gayl Jones’s novel \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eCorregidora\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e with a firsthand account of such “monstrous intimacies” in the journals of an antebellum South Carolina senator, slaveholder, and vocal critic of miscegenation. Sharpe explores the South African–born writer Bessie Head’s novel \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMaru\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e—about race, power, and liberation in Botswana—in light of the history of the KhoiSan woman Saartje Baartman, who was displayed in Europe as the “Hottentot Venus” in the nineteenth century. Reading Isaac Julien’s film \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Attendant\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Sharpe takes up issues of representation, slavery, and the sadomasochism of everyday black life. Her powerful meditation on intimacy, subjection, and subjectivity culminates in an analysis of Kara Walker’s black silhouettes, and the critiques leveled against both the silhouettes and the artist.\u003c\/span\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46869545976138,"sku":"9780822346098","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-0-8223-4609-8_pr.jpg?v=1687958326"},{"product_id":"specters-of-the-atlantic","title":"Specters of the Atlantic","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn September 1781, the captain of the British slave ship \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eZong\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e ordered 133 slaves thrown overboard, enabling the ship’s owners to file an insurance claim for their lost “cargo.” Accounts of this horrific event quickly became a staple of abolitionist discourse on both sides of the Atlantic. Ian Baucom revisits, in unprecedented detail, the \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eZong\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e atrocity, the ensuing court cases, reactions to the event and trials, and the business and social dealings of the Liverpool merchants who owned the ship. Drawing on the work of an astonishing array of literary and social theorists, including Walter Benjamin, Giovanni Arrighi, Jacques Derrida, and many others, he argues that the tragedy is central not only to the trans-Atlantic slave trade and the political and cultural archives of the black Atlantic but also to the history of modern capital and ethics. To apprehend the \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eZong\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003etragedy, Baucom suggests, is not to come to terms with an isolated atrocity but to encounter a logic of violence key to the unfolding history of Atlantic modernity.\u003c\/span\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBaucom contends that the massacre and the trials that followed it bring to light an Atlantic cycle of capital accumulation based on speculative finance, an economic cycle that has not yet run its course. The extraordinarily abstract nature of today’s finance capital is the late-eighteenth-century system intensified. Yet, as Baucom highlights, since the late 1700s, this rapacious speculative culture has had detractors. He traces the emergence and development of a counter-discourse he calls melancholy realism through abolitionist and human-rights texts, British romantic poetry, Scottish moral philosophy, and the work of late-twentieth-century literary theorists. In revealing how the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eZong\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003etragedy resonates within contemporary financial systems and human-rights discourses, Baucom puts forth a deeply compelling, utterly original theory of history: one that insists that an eighteenth-century atrocity is not past but present within the future we now inhabit.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46869582283082,"sku":"","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-0-8223-3596-2_pr.jpg?v=1687959055"},{"product_id":"mama-africa","title":"Mama Africa","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOften called the “most African” part of Brazil, the northeastern state of Bahia has the country’s largest Afro-descendant population and a black culture renowned for its vibrancy. In \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMama Africa\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Patricia de Santana Pinho examines the meanings of Africa in Bahian constructions of blackness. Combining insights from anthropology, sociology, and cultural studies, Pinho considers how Afro-Bahian cultural groups, known as \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eblocos afro\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, conceive of Africanness, blackness, and themselves in relation to both. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMama Africa\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a translated, updated, and expanded edition of an award-winning book published in Brazil in 2004. Central to the book, and to Bahian constructions of blackness, is what Pinho calls “the myth of Mama Africa,” the idea that Africa exists as a nurturing spirit inside every black person.\u003c\/span\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePinho explores how Bahian cultural production influences and is influenced by black diasporic cultures and the idealization of Africa—to the extent that Bahia draws African American tourists wanting to learn about their heritage. Analyzing the conceptions of blackness produced by the blocos afro, she describes how Africa is re-inscribed on the body through clothes, hairstyles, and jewelry; once demeaned, blackness is reclaimed as a source of beauty and pride. Turning to the body’s interior, Pinho explains that the myth of Mama Africa implies that black appearances have corresponding black essences. Musical and dance abilities are seen as naturally belonging to black people, and these traits are often believed to be transmitted by blood. Pinho argues that such essentialized ideas of blackness render black culture increasingly vulnerable to exploitation by the state and commercial interests. She contends that the myth of Mama Africa, while informing oppositional black identities, overlaps with a constraining notion of Bahianness promoted by the government and the tourist industry.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46869603123530,"sku":"","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-0-8223-4646-3_pr.jpg?v=1687959492"},{"product_id":"in-the-wake-on-blackness-and-being","title":"In the Wake: On Blackness and Being","description":"\u003cspan data-mce-fragment=\"1\"\u003eIn this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the \"orthography of the wake.\" Activating multiple registers of \"wake\"—the path behind a ship, keeping watch with the dead, coming to consciousness—Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. Initiating and describing a theory and method of reading the metaphors and materiality of \"the wake,\" \"the ship,\" \"the hold,\" and \"the weather,\" Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and \"wake work\" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eIn the Wake\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e offers a way forward.\u003c\/span\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46902573662538,"sku":"9780822362944","price":26.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-0-8223-6294-4_pr.jpg?v=1688834210"},{"product_id":"race-and-the-subject-of-masculinities","title":"Race and the Subject of Masculinities","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlthough in recent years scholars have explored the cultural construction of masculinity, they have largely ignored the ways in which masculinity intersects with other categories of identity, particularly those of race and ethnicity. The essays in \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eRace and the Subject of Masculinities\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e address this concern and focus on the social construction of masculinity—black, white, ethnic, gay, and straight—in terms of the often complex and dynamic relationships among these inseparable categories.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscussing a wide range of subjects including the inherent homoeroticism of martial-arts cinema, the relationship between working-class ideologies and Elvis impersonators, the emergence of a gay, black masculine aesthetic in the works of James Van der Zee and Robert Mapplethorpe, and the comedy of Richard Pryor, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eRace and the Subject of Masculinities\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e provides a variety of opportunities for thinking about how race, sexuality, and \"manhood\" are reinforced and reconstituted in today’s society. Editors Harry Stecopoulos and Michael Uebel have gathered together essays that make clear how the formation of masculine identity is never as obvious as it might seem to be. Examining personas as varied as Eddie Murphy, Bruce Lee, Tarzan, Malcolm X, and Andre Gidé, these essays draw on feminist critique and queer theory to demonstrate how cross-identification through performance and spectatorship among men of different races and cultural backgrounds has served to redefine masculinity in contemporary culture. By taking seriously the role of race in the making of men, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eRace and the Subject of Masculinities\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e offers an important challenge to the new studies of masculinity.\u003c\/span\u003e\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46902626156874,"sku":"9780822319665","price":32.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/9780822319665.jpg?v=1688835165"},{"product_id":"blood-narrative-indigenous-identity-in-american-indian-and-maori-literary-and-activist-texts","title":"Blood Narrative: Indigenous Identity in American Indian and Maori Literary and Activist Texts","description":"\u003ci data-mce-fragment=\"1\"\u003eBlood Narrative\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a comparative literary and cultural study of post-World War II literary and activist texts by New Zealand Maori and American Indians—groups who share much in their responses to European settler colonialism. Chadwick Allen reveals the complex narrative tactics employed by writers and activists in these societies that enabled them to realize unprecedented practical power in making both their voices and their own sense of indigeneity heard.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAllen shows how both Maori and Native Americans resisted the assimilationist tide rising out of World War II and how, in the 1960s and 1970s, they each experienced a renaissance of political and cultural activism and literary production that culminated in the formation of the first general assembly of the World Council of Indigenous Peoples. He focuses his comparison on two fronts: first, the blood\/land\/memory complex that refers to these groups' struggles to define indigeneity and to be freed from the definitions of authenticity imposed by dominant settler cultures. Allen's second focus is on the discourse of treaties between American Indians and the U.S. government and between Maori and Great Britain, which he contends offers strong legal and moral bases from which these indigenous minorities can argue land and resource rights as well as cultural and identity politics.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith its implicit critique of multiculturalism and of postcolonial studies that have tended to neglect the colonized status of indigenous First World minorities, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBlood Narrative\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e will appeal to students and scholars of literature, American and European history, multiculturalism, postcolonialism, and comparative cultural studies.\u003c\/span\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46902646341962,"sku":"9780822329473","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-0-8223-2947-3_pr.jpg?v=1688835768"},{"product_id":"territories-and-trajectories-cultures-in-circulation","title":"Territories and Trajectories: Cultures in Circulation","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe contributors to \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTerritories and Trajectories\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e propose a model of cultural production and transmission based on the global diffusion, circulation, and exchange of people, things, and ideas across time and space. This model eschews a static, geographically bounded notion of cultural origins and authenticity, privileging instead a mobility of culture that shapes and is shaped by geographic spaces. Reading a diverse array of texts and objects, from Ethiopian song and ancient Chinese travel writing to Japanese literature and aerial and nautical images of the Indian Ocean, the contributors decenter national borders to examine global flows of culture and the relationship between thinking at transnational and local scales. Throughout, they make a case for methods of inquiry that encourage innovative understandings of borders, oceans, and territories and that transgress disciplinary divides.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46959755297098,"sku":"9780822370260","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-0-8223-7026-0_pr.jpg?v=1690650708"},{"product_id":"our-own-way-in-this-part-of-the-world","title":"Our Own Way in this Part of the World","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKofi Dᴐnkᴐ was a blacksmith and farmer, as well as an important healer, intellectual, spiritual leader, settler of disputes, and custodian of shared values for his Ghanaian community. In \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eOur Own Way in This Part of the World\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e Kwasi Konadu centers Dᴐnkᴐ's life story and experiences in a communography of Dᴐnkᴐ's community and nation from the late nineteenth century through the end of the twentieth, which were shaped by historical forces from colonial Ghana's cocoa boom to decolonization and political and religious parochialism. Although Dᴐnkᴐ touched the lives of thousands of citizens and patients, neither he nor they appear in national or international archives covering the region. Yet his memory persists in his intellectual and healing legacy, and the story of his community offers a non-national, decolonized example of social organization structured around spiritual forces that serves as a powerful reminder of the importance for scholars to take their cues from the lived experiences and ideas of the people they study.\u003c\/span\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46967472718154,"sku":"","price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/9781478004783.jpg?v=1690971514"},{"product_id":"film-blackness-american-cinema-and-the-idea-of-black-film","title":"Film Blackness: American Cinema and the Idea of Black Film","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFilm Blackness\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eCoonskin\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1975), black performativity in Wendell B. Harris Jr.'s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eChameleon Street\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1989), blackness and noir in Bill Duke's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDeep Cover\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1992), and how place and desire impact blackness in Barry Jenkins's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMedicine for Melancholy\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e(2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.\u003c\/span\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46967589536074,"sku":"","price":27.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/9780822362265_8c590813-82d4-4a58-bda7-882a2231a780.jpg?v=1690974599"},{"product_id":"in-senghors-shadow","title":"In Senghor's Shadow","description":"\u003cp\u003eArt, Politics, and the Avant-Garde in Senegal, 1960–1995\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAn examination of visual art in post-independence Senegal. It explores the complex interplay of cultural nationalism, negotiations of postcolonial identity, and an emergent artistic modernism. Highlighting the distinctive cultural history that shaped Sengalese modernism, it reveals its innovations, diversity, and dynamism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eIn Senghor’s Shadow is a unique study of modern art in postindependence Senegal. Elizabeth Harney examines the art that flourished during the administration of Léopold Sédar Senghor, Senegal’s first president, and in the decades since he stepped down in 1980. As a major philosopher and poet of Negritude, Senghor envisioned an active and revolutionary role for modern artists, and he created a well-funded system for nurturing their work. In questioning the canon of art produced under his aegis—known as the Ecole de Dakar—Harney reconsiders Senghor’s Negritude philosophy, his desire to express Senegal’s postcolonial national identity through art, and the system of art schools and exhibits he developed. She expands scholarship on global modernisms by highlighting the distinctive cultural history that shaped Senegalese modernism and the complex and often contradictory choices made by its early artists.Heavily illustrated with nearly one hundred images, including some in color, In Senghor’s Shadow surveys the work of a range of Senegalese artists, including painters, muralists, sculptors, and performance-based groups—from those who worked at the height of Senghor’s patronage system to those who graduated from art school in the early 1990s. Harney reveals how, in the 1970s, avant-gardists contested Negritude beliefs by breaking out of established artistic forms. During the 1980s and 1990s, artists such as Moustapha Dimé, Germaine Anta Gaye, and Kan-Si engaged with avant-garde methods and local artistic forms to challenge both Senghor’s legacy and the broader art world’s understandings of cultural syncretism. Ultimately, Harney’s work illuminates the production and reception of modern Senegalese art within the global arena.\u003c\/span\u003e\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":46967632789834,"sku":"9780822333951","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/9780822333951_89a1712a-d01a-4514-9b50-dc5e0be6dc75.jpg?v=1690975876"},{"product_id":"violent-intimacies","title":"Violent Intimacies","description":"\u003cdiv data-cel-widget=\"vendorPoweredCoupon_feature_div\" data-csa-c-id=\"x0jc5m-3d2f3a-igboho-pv4fm1\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"147802562X\" data-csa-c-slot-id=\"vendorPoweredCoupon_feature_div\" data-csa-c-content-id=\"vendorPoweredCoupon\" data-csa-c-type=\"widget\" data-feature-name=\"vendorPoweredCoupon\" class=\"celwidget\" id=\"vendorPoweredCoupon_feature_div\"\u003e\n\u003ctable class=\"a-normal a-spacing-small couponTable\"\u003e\u003c\/table\u003e\nIn \u003ci\u003eViolent Intimacies\u003c\/i\u003e, Aslı Zengin traces how trans people in Turkey creatively negotiate and resist everyday cisheteronormative violence. Drawing on the history and ethnography of the trans communal life in Istanbul, Zengin develops an understanding of cisheteronormative violence that expands beyond sex, gender and sexuality. She shows how cisheteronormativity forms a connective tissue among neoliberal governmentality, biopolitical and necropolitical regimes, nationalist religiosity and authoritarian management of social difference. As much as trans people are shaped by these processes, they also transform them in intimate ways. Transness in Turkey provides an insightful site for developing new perspectives on statecraft, securitization and surveillance, family and kin-making, urban geography, and political life. Zengin offers the concept of violent intimacies to theorize this entangled world of the trans everyday where violence and intimacy are co-constitutive. Violent intimacies emerge from trans people’s everyday interactions with the police, religious and medical institutions, street life, family and kinship, and trans femicides and funerals. The dynamic of violent intimacies prompts new understandings of violence and intimacy and the world-making struggles of trans people in a Middle Eastern context.\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Duke UP","offers":[{"title":"Default Title","offer_id":49125133943114,"sku":"9781478025627","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/ViolentIntimacies.jpg?v=1725031712"},{"product_id":"sissy-insurgencies","title":"Sissy Insurgencies","description":"\u003cdiv data-expanded=\"false\" class=\"a-expander-content a-expander-partial-collapse-content\"\u003e\n\u003cspan\u003eIn \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSissy Insurgencies\u003c\/span\u003e\u003cspan\u003e Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington’s practice of cleaning as an iteration of sissiness, Baldwin’s self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":49260472631626,"sku":"9781478017837","price":34.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/81ehUglZzTL._SL1500.jpg?v=1726750855"},{"product_id":"queer-african-cinemas","title":"Queer African Cinemas","description":"\u003cp\u003eIn \u003ci\u003eQueer African Cinemas\u003c\/i\u003e, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing antiqueer violence, efforts to criminalize homosexuality, and other state-sanctioned homophobia. Green-Simms argues that these films not only record the fear, anxiety, and vulnerability many queer Africans experience; they highlight how queer African cinematic practices contribute to imagining new hopes and possibilities. Examining globally circulating international art films as well as popular melodramas made for local audiences, Green-Simms emphasizes that in these films queer resistance—contrary to traditional narratives about resistance that center overt and heroic struggle—is often practiced from a position of vulnerability. 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She describes her own experience of the professional pressures, creative anxiety, and political hopelessness that led to intellectual blockage while she was finishing her dissertation and writing her first book. Building on the insights of the memoir, in the critical essay she considers the idea that feeling bad constitutes the lived experience of neoliberal capitalism.\u003c\/p\u003e\n\u003cp\u003eCvetkovich draws on an unusual archive, including accounts of early Christian acedia and spiritual despair, texts connecting the histories of slavery and colonialism with their violent present-day legacies, and utopian spaces created from lesbian feminist practices of crafting. 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In so doing, it enables us to arrive at radical and innovative ways of understanding the world.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":49260694700362,"sku":"9781478030331","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/product_pages_f295d5fa-7285-448f-adc5-27abb5ec7c4c.jpg?v=1726753289"},{"product_id":"quiet-dawn-a-novel-of-haiti","title":"Quiet Dawn: A Novel of Haiti","description":"\u003cp\u003e\u003cspan\u003eJean-Claude Fignolé’s \u003c\/span\u003e\u003cem\u003eQuiet Dawn\u003c\/em\u003e\u003cspan\u003e tells an enthralling story of Haiti’s transition from French colony to independent Black republic. The swirling, multilayered novel provides intimate portraits of an eighteenth-century slaveholder, his wife, and their enslaved laborers set against the devastating backdrop of enslavement and revolution. 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Its dozens of selections—most of which appear here in English for the first time—are representative of Haiti's scholarly, literary, religious, visual, musical, and political cultures, and range from poems, novels, and political tracts to essays, legislation, songs, and folk tales. Spanning the centuries between precontact indigenous Haiti and the aftermath of the 2010 earthquake, the \u003c\/span\u003e\u003ci\u003eReader\u003c\/i\u003e\u003cspan\u003e covers widely known episodes in Haiti's history, such as the U.S. military occupation and the Duvalier dictatorship, as well as overlooked periods such as the decades immediately following Haiti's “second independence” in 1934. 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Berlant focuses on the encounter with and the desire for the bother of other people and objects, showing that to be driven toward attachment is to desire to be inconvenienced. Drawing on a range of sources, including \u003c\/span\u003e\u003ci\u003eLast Tango in Paris\u003c\/i\u003e\u003cspan\u003e, Ralph Waldo Emerson, Claudia Rankine, Christopher Isherwood, Bhanu Kapil, the Occupy movement, and resistance to anti-Black state violence, Berlant poses inconvenience as an affective relation and considers how we might loosen our attachments in ways that allow us to build new forms of life. Collecting strategies for breaking apart a world in need of disturbing, the book’s experiments in thought and writing cement Berlant’s status as one of the most inventive and influential thinkers of our time.\u003c\/span\u003e\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52901798150474,"sku":"9781478018452","price":23.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-1-4780-1845-2_pr.webp?v=1758967276"},{"product_id":"mounting-frustration-the-art-museum-in-the-age-of-black-power","title":"Mounting Frustration – The Art Museum in the Age of Black Power","description":"\u003cdiv data-view-more-clamp=\"9\" class=\"prose line-clamp-[9] data-[expanded=true]:line-clamp-none\" id=\"book-description\" data-expanded=\"true\"\u003e\n\u003cdiv\u003ePrior to 1967 fewer than a dozen museum exhibitions had featured the work of African American artists. And by the time the civil rights movement reached the American art museum, it had already crested: the first public demonstrations to integrate museums occurred in late 1968, twenty years after the desegregation of the military and fourteen years after the Brown vs. Board of Education decision. In\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMounting Frustration\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eSusan E. Cahan investigates the strategies African American artists and museum professionals employed as they wrangled over access to and the direction of New York City's elite museums. Drawing on numerous interviews with artists and analyses of internal museum documents, Cahan gives a detailed and at times surprising picture of the institutional and social forces that both drove and inhibited racial justice in New York's museums.\u003cbr\u003e\u003cbr\u003eCahan focuses on high-profile and wildly contested exhibitions that attempted to integrate African American culture and art into museums, each of which ignited debate, dissension, and protest. The Metropolitan Museum's 1969 exhibition\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHarlem on My Mind\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas supposed to represent the neighborhood, but it failed to include the work of the black artists living and working there. 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Martins introduces the notion of “spiral time”—curved and recurrent temporalities materialized in Black corporealities in which the body is the place of the inscription of memory and knowledge. She draws on African and African diasporic philosophy as well as the ritual performance and quotidian practices of Afro-Brazilians, arguing that spiral time is most powerfully expressed by the moving body. Embodied performance—whether manifested as capoeira, Candomblé, or theater—and the influence of oral traditions, sacredness, and ancestrality, cause time and memory to curve and return. With this theorization, Martins not only counters the claim to dominance of Western linear time; she provides a polyvalent and foundational account of African and African diasporic thought and ontology.\u003c\/div\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52901971001674,"sku":"9781478032557","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-1-4780-3255-7_pr.webp?v=1758968263"},{"product_id":"how-we-write-now-living-with-black-feminist-theory","title":"How We Write Now – Living with Black Feminist Theory","description":"\u003cdiv data-view-more-clamp=\"9\" class=\"prose line-clamp-[9] data-[expanded=true]:line-clamp-none\" id=\"book-description\" data-expanded=\"true\"\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHow We Write Now\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eJennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.\u003c\/div\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52901976015178,"sku":"9781478030461","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-1-4780-3046-1_pr.webp?v=1758968574"},{"product_id":"poor-things-how-those-with-money-depict-those-without-it","title":"Poor Things – How Those with Money Depict Those without It","description":"\u003cdiv data-view-more-clamp=\"9\" class=\"prose line-clamp-[9] data-[expanded=true]:line-clamp-none\" id=\"book-description\" data-expanded=\"true\"\u003eFor generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions. In\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePoor Things\u003c\/i\u003e, Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52901985845578,"sku":"9781478031024","price":24.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-1-4780-3102-4_pr.webp?v=1758968887"},{"product_id":"essential-essays-volume-1-foundations-of-cultural-studies","title":"Essential Essays – Volume 1 Foundations of Cultural Studies","description":"\u003cdiv data-view-more-clamp=\"9\" class=\"prose line-clamp-[9] data-[expanded=true]:line-clamp-none\" id=\"book-description\" data-expanded=\"true\"\u003e\n\u003cdiv\u003eFrom his arrival in Britain in the 1950s and involvement in the New Left, to founding the field of cultural studies and examining race and identity in the 1990s and early 2000s, Stuart Hall has been central to shaping many of the cultural and political debates of our time.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEssential Essays\u003c\/i\u003e—a landmark two-volume set—brings together Stuart Hall's most influential and foundational works. Spanning the whole of his career, these volumes reflect the breadth and depth of his intellectual and political projects while demonstrating their continued vitality and importance.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eVolume 1: Foundations of Cultural Studies\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efocuses on the first half of Hall's career, when he wrestled with questions of culture, class, representation, and politics. This volume's stand-out essays include his field-defining “Cultural Studies and Its Theoretical Legacies\"; the prescient “The Great Moving Right Show,” which first identified the emergent mode of authoritarian populism in British politics; and “Encoding and Decoding in the Television Discourse,” one of his most influential pieces of media criticism. As a whole,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVolume 1\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eprovides a panoramic view of Hall's fundamental contributions to cultural studies.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-view-more-clamp=\"9\" class=\"prose line-clamp-[9] data-[expanded=true]:line-clamp-none\" id=\"book-description\" data-expanded=\"true\"\u003eFrom his arrival in Britain in the 1950s and involvement in the New Left, to founding the field of cultural studies and examining race and identity in the 1990s and early 2000s, Stuart Hall has been central to shaping many of the cultural and political debates of our time.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEssential Essays\u003c\/i\u003e—a landmark two-volume set—brings together Stuart Hall's most influential and foundational works. Spanning the whole of his career, these volumes reflect the breadth and depth of his intellectual and political projects while demonstrating their continued vitality and importance.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52902002131274,"sku":"9781478000938","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-1-4780-0093-8_pr.webp?v=1758969431"},{"product_id":"the-right-to-maim-debility-capacity-disability","title":"The Right to Maim – Debility, Capacity, Disability","description":"\u003cdiv data-view-more-clamp=\"9\" class=\"prose line-clamp-[9] data-[expanded=true]:line-clamp-none\" id=\"book-description\" data-expanded=\"true\"\u003e\n\u003cdiv\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Right to Maim\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eJasbir K. Puar brings her pathbreaking work on the liberal state, sexuality, and biopolitics to bear on our understanding of disability. Drawing on a stunning array of theoretical and methodological frameworks, Puar uses the concept of “debility”—bodily injury and social exclusion brought on by economic and political factors—to disrupt the category of disability. She shows how debility, disability, and capacity together constitute an assemblage that states use to control populations. Puar's analysis culminates in an interrogation of Israel's policies toward Palestine, in which she outlines how Israel brings Palestinians into biopolitical being by designating them available for injury. Supplementing its right to kill with what Puar calls the right to maim, the Israeli state relies on liberal frameworks of disability to obscure and enable the mass debilitation of Palestinian bodies. Tracing disability's interaction with debility and capacity, Puar offers a brilliant rethinking of Foucauldian biopolitics while showing how disability functions at the intersection of imperialism and racialized capital.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52902025724234,"sku":"9780822369189","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-0-8223-6918-9_pr.webp?v=1758970076"},{"product_id":"tendings-feminist-esoterisms-and-the-abolition-of-man","title":"Tendings – Feminist Esoterisms and the Abolition of Man","description":"\u003cdiv data-view-more-clamp=\"9\" class=\"prose line-clamp-[9] data-[expanded=true]:line-clamp-none\" id=\"book-description\" data-expanded=\"true\"\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTendings\u003c\/i\u003e, Nathan Snaza brings contemporary feminist and queer popular culture’s resurging interest in esoteric practices like tarot and witchcraft into conversation with Black feminist and new materialist thought. Analyzing writing and performances by Maryse Condé, Barbara Ehrenreich and Deirdre English, Starhawk, Christina Sharpe, Alexis Pauline Gumbs, and others, Snaza introduces his theory of tending as a concept that links ontology, attunement, care, and anticipatory action to explore how worlds persist through everyday acts of participation. In contrast to the universalizing presuppositions of the enlightenment, Snaza shows how certain feminist occult and esoteric practices constitute what he calls an endarkenment that embraces decolonial spiritual knowledge. Highlighting how endarkenment practices challenge universal presumptions and reject the racializing and colonialist mission of enlightenment modernity, Snaza demonstrates the ways esoterism affirms a pluriversal worldview that reimagines what it means to live in a more-than-human world.\u003c\/div\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52902030082378,"sku":"9781478030102","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-1-4780-3010-2_pr.webp?v=1758970282"},{"product_id":"listening-to-images","title":"Listening to Images","description":"\u003cdiv data-view-more-clamp=\"9\" class=\"prose line-clamp-[9] data-[expanded=true]:line-clamp-none\" id=\"book-description\" data-expanded=\"true\"\u003e\n\u003cdiv\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eListening to Images\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eTina M. Campt explores a way of listening closely to photography, engaging with lost archives of historically dismissed photographs of black subjects taken throughout the black diaspora. Engaging with photographs through sound, Campt looks beyond what one usually sees and attunes her senses to the other affective frequencies through which these photographs register. She hears in these photos—which range from late nineteenth-century ethnographic photographs of rural African women and photographs taken in an early twentieth-century Cape Town prison to postwar passport photographs in Birmingham, England and 1960s mug shots of the Freedom Riders—a quiet intensity and quotidian practices of refusal. Originally intended to dehumanize, police, and restrict their subjects, these photographs convey the softly buzzing tension of colonialism, the low hum of resistance and subversion, and the anticipation and performance of a future that has yet to happen. Engaging with discourses of fugitivity, black futurity, and black feminist theory, Campt takes these tools of colonialism and repurposes them, hearing and sharing their moments of refusal, rupture, and imagination.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52902047088970,"sku":"9780822362708","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-0-8223-6270-8_pr.webp?v=1758970475"},{"product_id":"a-world-of-many-worlds","title":"A World of Many Worlds","description":"\u003cp\u003e\u003ci\u003eA World of Many Worlds\u003c\/i\u003e\u003cspan\u003e is a search into the possibilities that may emerge from conversations between indigenous collectives and the study of science's philosophical production. The contributors explore how divergent knowledges and practices make worlds. They work with difference and sameness, recursion, divergence, political ontology, cosmopolitics, and relations, using them as concepts, methods, and analytics to open up possibilities for a pluriverse: a cosmos composed through divergent political practices that do not need to become the same.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eby Marisol de la Cadena\u003c\/span\u003e\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":53174982082890,"sku":"9781478002956","price":30.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-1-4780-0295-6_pr.webp?v=1761833123"},{"product_id":"pluriversal-politics","title":"Pluriversal Politics","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003ci\u003ePluriversal Politics\u003c\/i\u003e\u003cspan\u003e Arturo Escobar engages with the politics of the possible and how established notions of what is real and attainable preclude the emergence of radically alternative visions of the future. Reflecting on the experience, philosophy, and practice of indigenous and Afro-descendant activist-intellectuals and on current Latin American theoretical-political debates, Escobar chronicles the social movements mobilizing to defend their territories from large-scale extractive operations in the region. He shows how these movements engage in an ontological politics aimed at bringing about the pluriverse—a world consisting of many worlds, each with its own ontological and epistemic grounding. Such a politics, Escobar contends, is key to crafting myriad world-making stories telling of different possible futures that could bring about the profound social transformations that are needed to address planetary crises. Both a call to action and a theoretical provocation, \u003c\/span\u003e\u003ci\u003ePluriversal Politics\u003c\/i\u003e\u003cspan\u003e finds Escobar at his critically incisive best.\u003c\/span\u003e\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":53174999810378,"sku":"9781478008460","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-1-4780-0846-0_pr.webp?v=1761833221"},{"product_id":"image-matters","title":"Image Matters","description":"\u003cp\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003ci\u003eImage Matters\u003c\/i\u003e\u003cspan\u003e, Tina M. Campt traces the emergence of a black European subject by examining how specific black European communities used family photography to create forms of identification and community. 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Campt places special emphasis on the tactile and sonic registers of family photographs, and she uses them to read the complexity of \"race\" in visual signs and to highlight the inseparability of gender and sexuality from any analysis of race and class. \u003c\/span\u003e\u003ci\u003eImage Matters\u003c\/i\u003e\u003cspan\u003e is an extraordinary reflection on what vernacular photography enabled black Europeans to say about themselves and their communities.\u003c\/span\u003e\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":53204154745162,"sku":"9780822350743","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/978-0-8223-5074-3_pr.webp?v=1762184614"}],"url":"https:\/\/archive-books-berlin.myshopify.com\/collections\/duke-up-titles.oembed?page=4","provider":"Archive Souq","version":"1.0","type":"link"}