{"title":"Sonicities","description":"","products":[{"product_id":"rude-citizenship","title":"Rude Citizenship","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann—DJ, media law expert, and ethnographer—identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann shows, goes beyond cultural concerns.\u003c\/span\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBecause many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state’s limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization.\u003c\/p\u003e","brand":"UNC Press","offers":[{"title":"Default Title","offer_id":46924178653514,"sku":"","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/GUEST_5fb74838-c29b-4fa5-b941-d5ca03cd2d4e.jpg?v=1689343703"},{"product_id":"deaesthetic","title":"DeAesthetic","description":"\u003cem\u003eDeAesthetic. Writing with and from the Black Sonic\u003c\/em\u003e presents essays by Johannesburg-based artist, jazz percussionist and thinker Tumi Mogorosi.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe essays focus on the Black Sonic as a dislocated episteme, which identifies the aesthetic as a limitation. In their de-centring, the texts fundamentally open a way to write and read beyond hegemonic knowledge validations. As a reading that straddles between Brenda Fassie, Louis Armstrong, Louis Moholo-Moholo and Sade, they are in visual conversation with symbols created by Emeka Alams of Gold Coast Trading Company","brand":"iwalewa books","offers":[{"title":"Default Title","offer_id":47316712816970,"sku":"9783947902194","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/9c2765_055d5e2bc74147648f5aa9d88e5b7938_mv2.webp?v=1699715447"},{"product_id":"chimurenganyana-music-notebook-by-ari-sitas-2023","title":"Chimurenganyana: Music Notebook by Ari Sitas (2023)","description":"“Insurrections was and is a project and an idea. The project brought together poets, composers and musicians from South Africa and India – although an Ethiopian or two crept in since to make description difficult! It was put together to produce a CD, a mini-tour of both countries, and to make a lot of noise. As an idea, it marked the beginning of a voyage that could go in many exciting directions because it experimented with something non-trivial: does the musical language of these spaces produce a new way of doing things?”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMusic Notebook is at once a scrapbook, a bildungsroman, a playlist and a diary of Ari Sitas’ decade-long collaboration with the Insurrections Ensemble, the all ways-expanding troupe of sonic arkeologists and improvisors digging the AfroAsian seas for memories of the “deep song”.","brand":"Chimurenga Chronic","offers":[{"title":"Default Title","offer_id":47363741483338,"sku":"9780639759272","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/3737814538_1.jpg?v=1700848690"},{"product_id":"well-play-till-we-die-journeys-across-a-decade-of-revolutionary-music-in-the-muslim-world","title":"We'll Play till We Die: Journeys across a Decade of Revolutionary Music in the Muslim World","description":"\u003cp\u003e\u003cb\u003eIn his iconic musical travelogue\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHeavy Metal Islam\u003c\/i\u003e, Mark LeVine first brought the views and experiences of a still-young generation to the world. In\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eWe'll Play till We Die\u003c\/i\u003e, he joins with this generation's leading voices to write a definitive history of the era, closing with a cowritten epilogue that explores the meanings and futures of youth music from North Africa to Southeast Asia.\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003ci\u003eWe'll Play till We Die\u003c\/i\u003e\u003cspan\u003e dives into the revolutionary music cultures of the Middle East and larger Muslim world before, during, and beyond the waves of resistance that shook the region from Morocco to Pakistan. This sequel to Mark LeVine's celebrated \u003c\/span\u003e\u003ci\u003eHeavy Metal Islam\u003c\/i\u003e\u003cspan\u003e shows how some of the world's most extreme music not only helped inspire and define region-wide protests, but also exemplifies the beauty and diversity of youth cultures throughout the Muslim world.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTwo years after \u003c\/span\u003e\u003ci\u003eHeavy Metal Islam\u003c\/i\u003e\u003cspan\u003e was published in 2008, uprisings and revolutions spread like wildfire. The young people organizing and protesting on the streets—in dozens of cities from Casablanca to Karachi—included the very musicians and fans LeVine spotlighted in that book. \u003c\/span\u003e\u003ci\u003eWe'll Play till We Die\u003c\/i\u003e\u003cspan\u003e revisits the groundbreaking stories he originally explored, sharing what has happened to these musicians, their music, their politics, and their societies since then. The book covers a stunning array of developments, not just in metal and hip hop scenes, but with emo in Baghdad, \u003c\/span\u003e\u003ci\u003emahraganat\u003c\/i\u003e\u003cspan\u003e in Egypt, techno in Beirut, and more. LeVine also reveals how artists have used global platforms like YouTube and SoundCloud to achieve unprecedented circulation of their music outside corporate or government control. 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