{"title":"Textiles","description":"","products":[{"product_id":"a-stitch-out-of-time","title":"A Stitch Out of Time","description":"\u003cp data-mce-fragment=\"1\"\u003eFrench artist Anaïs Beaulieu learnt the craft of embroidery from her grandmother, a practice passed on through the generations of women in her family.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eA Stitch Out of Time\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efeatures images of her embroidery on throwaway plastic bags, typically used for disposing waste. The book plays with two powerful themes: environmental degradation symbolised by the ubiquitous take-over of our surroundings by plastic and the slow time of creation, whether of a tree, or a piece of embroidery.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eA Stitch Out of Time\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a result of collaborative artisanal processes: embroidery, tailoring, screen-printing and book-binding. Each cover features an inlaid panel of embroidered plastic, the endsheets are silkscreen-printed by hand and all copies are carefully packaged in cotton tote bags — one side is specially embroidered and the other is for the readers to fill-in themselves.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Tara Books","offers":[{"title":"Default Title","offer_id":47122813911370,"sku":"9789390037025","price":42.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/A-Stitch-Out-of-Time-cover.jpg?v=1695379574"},{"product_id":"entangled-textiles-on-textiles","title":"Entangled - texts on textiles","description":"\u003cp\u003eWhat does it mean to be a curator who writes, and, more specifically, \u003cbr\u003ehow can curators write about textiles?\u003c\/p\u003e\n\u003cp\u003eThe publication steps outside the framework of the typical exhibition catalogue to occupy ‘the space between literature and criticism’. \u003c\/p\u003e\n\u003cp\u003eThe Community of Writers was set up to create time and space to retreat from these  outside opinions and demands and to let curiosity and the joy of writing be the driving forces of the writing process.\u003c\/p\u003e\n\u003cp\u003eThis book has been realised under the auspice of Interweaving Structures: Fabric as Material, Method, and Message, and specifically through collaboration between the Faculty of Fine Art, Music and Design at the University of Bergen and the Central Museum of Textiles in Łódź. The two partners have strong positions of specialisation – the museum acts as a caretaker of material textile traditions and art in Poland, and the faculty has a strong textile art tradition and offers the only education programme\u003cbr\u003efor curators in Norway.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":47937668612426,"sku":"9788293801092","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/entangled.jpg?v=1718573124"},{"product_id":"diasporic-threads-black-women","title":"Diasporic Threads - Black Women, Fibre \u0026 Textiles","description":"\u003cp\u003e 'Diasporic Threads: Black Women, Fibre \u0026amp; Textiles' highlights Black women's contributions to art and history through fibre-related mediums. The author, Dr. Sharbreon Plummer (Baton Rouge, LA) is an artist, strategist and storyteller that centres the stories and creativity of Black women. Sharbreon's upbringing in southern Louisiana informs her interest into how culture and ancestral memory act as influencers of contemporary art-making. This new publication surveys the history of Black women and textiles in North America, and spotlights five artists through a series of interviews, paying careful attention to the intersections of race, art, and cultural memory.\u003c\/p\u003e\n\u003cdiv class=\"row product-detail-custom-fields-container\"\u003e\n\u003cdiv class=\"col-md-10 col-lg-6\"\u003e\n\u003ctable class=\"table product-detail-custom-fields-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"custom-fields-row\"\u003e\n\u003ctd class=\"custom-fields-value\" colspan=\"2\"\u003e52 p, ills colour, 15 x 21 cm, pb, English\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Common Threads Press","offers":[{"title":"Default Title","offer_id":48666985890122,"sku":"9781399919449","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/22391_diasporic_9781399919449_jpg.jpg?v=1717671190"},{"product_id":"sara-penn-s-knobkerry-an-oral-history-sourcebook","title":"Sara Penn’s Knobkerry: An Oral History Sourcebook","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSara Penn’s Knobkerry: An Oral History Sourcebook\u003c\/em\u003e is the culmination a years-long oral history project, conceived and developed by writer and oral historian Svetlana Kitto, that begins to demarcate a potential sphere of influence for artist and designer Sara Penn (1927-2020) and Knobkerry, the store she founded and ran in New York City. This publication assembles fifteen long-form interviews with figures close to Penn and Knobkerry, conducted by Kitto between 2017 and 2020, including Sara Penn, Andrea Aranow, Charles Daniel Dawson, David Hammons, Joanne Robinson Hill, Kate Prendergast and Jane Barrell Yadav, Sana Musasama, Eric Robertson, Fumi Schmidt, Seret Scott, Elena Solow, Carol Thompson, Ken Tisa, and Paulette Young. It also includes extensive reproductions of archival materials related to Penn and the store, collected by Kitto in collaboration with Penn and a number of her close relations.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFrom the early 1960s, Knobkerry traded in textiles and ethnographic objects, which Penn expertly transformed into coveted patchwork garments and arranged in elaborate and densely layered displays. In Penn’s hands, these items registered the local effects of globalization, including increased access to objects of international trade, eager markets for fashionable multiculturalism, and a conflicted relationship to American identity. Intimately produced with her singular expertise and craftsmanship, Penn’s work was publicly lauded, circulated, copied, and codified as the archetypal “hippie” style (though Penn referred to Knobkerry’s wares as “Third World Design and Art” in the 1960s) by celebrities and mainstream press outlets. At the same time the store served as an important physical and social space for a network of Black intellectuals, musicians, and artists, and for a broader subset of cultural and subcultural figures passing through New York – even as its brick-and-mortar storefront moved from the East Village to SoHo and then to TriBeCa, on a now-familiar path of rent crisis and gentrification.\u003c\/p\u003e\n\u003c!----\u003e","brand":"SculptureCenter","offers":[{"title":"Default Title","offer_id":48667515846986,"sku":"","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/SC_KnobkerryBook_01.jpg?v=1717679349"},{"product_id":"rights-not-charity-protest-textiles-and-disability-activism","title":"Rights Not Charity - Protest Textiles and Disability Activism","description":"\u003cp\u003eTextiles have long been part of the fabric of disabled people's lives and history. In common withbanners of the women's suffrage movement and trade unions, disabled activists have embracedbanners as a form of protest and resistance, communicating messages about identity, pride, unity and justice. Rights Not Charity tells the stories of these banners. Curator Gill Crawshaw explores this history through the protest banners and political artwork of disabled people's rights movements, taking in political responses to charity, accessibility, and government cuts, among other causes.\u003c\/p\u003e\n\u003cdiv class=\"row product-detail-custom-fields-container\"\u003e\n\u003cdiv class=\"col-md-10 col-lg-6\"\u003e\n\u003ctable class=\"table product-detail-custom-fields-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"custom-fields-row\"\u003e\n\u003ctd class=\"custom-fields-value\" colspan=\"2\"\u003e52 p, ills colour \u0026amp; bw, 15 x 21 cm, pb, English\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Common Threads Press","offers":[{"title":"Default Title","offer_id":48668434202954,"sku":"","price":12.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/23607_rights_9781916323469_jpg.jpg?v=1717690253"},{"product_id":"de-anti-post-colonial-feminisms-in-contemporary-art-and-textile-crafts","title":"De-\/Anti-\/Post-colonial Feminisms in Contemporary Art and Textile Crafts","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e12 essays discussing De-\/Anti-\/Post-colonial Feminisms in contemporary art and textile craft:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKaty Deepwell - Inter-related and Divergent paths;\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFrançoise Vergès - Decolonial Antiracist Feminism (Trans: Melissa Thackway); Madina Tlostanova - Decolonial AestheSis and the Post-Soviet Art; Dalida María Benfield- Other Originalities: Collective Pedagogies of Epistemic Disobedience; Sharlene Khan - Art on our Mind: South African Women: Creatives-of-Colour Talking Creatively; Ayanna Dozier - Mnemonic Aberrations: An Essay on the CounterPoetics of Black Feminist Experimental Film; Shanna Ketchum-Heap of Birds - Decolonial Theory and Spiderwoman Theater’s Missing and Murdered Women; Aarti Kawlra - The Question of Women and Craft, Pre- and Post-Independence India; Neelam Raina - Women’s Tacit, uncoded knowledge: Ownership and Value in Conflict Zones; Fatima Hussain - Recognizing Choice in the Practices of Making; Michelle Williams Gamaker - A Particular Reality (APR): Developing a Nuanced Pedagogical Methodology within Practice-Based Higher Education Courses and Leslie C. Sotomayor II - The Practice of Feminist Art Education\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"KT Press","offers":[{"title":"Default Title","offer_id":48678082085194,"sku":"9780992693473","price":19.0,"currency_code":"EUR","in_stock":false}]},{"product_id":"i-weave-what-i-have-seen-the-war-rugs-of-afghanistan","title":"I weave what I have seen, The War Rugs of Afghanistan","description":"\u003cp\u003e\u003cem\u003eI weave what I have seen: The War Rugs of Afghanistan \u003c\/em\u003eis a testimony to the creativity and resilience of Afghan weavers who have faced the devastating effects of war for more than forty years.\u003c\/p\u003e\n\u003cp\u003eFrom the very start of the conflict, Afghan weavers began developing a striking new form of war art involving a complex imagery of armaments, maps, monuments, texts and portraits which soon began to find an international audience.\u003c\/p\u003e\n\u003cp\u003eEmerging out of a research project undertaken at the Australian National University by Tim Bonyhady and Nigel Lendon, this exhibition investigates the history, iconography, production and distribution of these extraordinary rugs.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Archive Souq","offers":[{"title":"Default Title","offer_id":48789349531978,"sku":"9780648553489","price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/Screenshot2024-07-01at13.22.57.png?v=1719832997"},{"product_id":"les-artistes-et-le-textile","title":"Les Artistes et le Textile","description":"\u003cp\u003e\u003cspan\u003eDepuis le début du XXIe siècle, les artistes qui travaillent fil et tissus ont su s'affirmer dans le monde de l'art contemporain. Ils sont présents dans les grandes manifestations internationales et des foires leur sont dédiées sur tout le continent américain, en Europe aussi bien qu'en Asie.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eL'ouvrage évoque nombre d'artistes qui se sont emparés de ce medium depuis la fin du XIXe siècle de manière innovante et singulière et dresse le portrait de créateurs qui l'ont choisi pour accompagner leur démarche politique, économique, sociale ou écologique. Il montre que l'art textile reste subversif : il efface la frontière entre beaux-arts, arts appliqués et design, entre tradition et modernité. Il met en valeur les identités et les cultures « périphériques ». En questionnant les catégories du « féminin » et du « masculin », il brouille les genres et met à mal les conventions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e« À la fois dictionnaire et essai, panorama historique et analyse de style, [...] l'ouvrage réussit l'exploit d'être original, et surtout à la fois utile et intéressant pour les novices comme pour les amateurs de textile. »\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eL'Objet d'Art\u003c\/em\u003e\u003cspan\u003e, « Le livre du mois »\u003c\/span\u003e\u003c\/p\u003e","brand":"Les Presses Du Reel","offers":[{"title":"Default Title","offer_id":61346487304522,"sku":"9782378964313","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/5474\/2858\/files\/103790_f5.jpg?v=1773577792"}],"url":"https:\/\/archive-books-berlin.myshopify.com\/collections\/textiles.oembed","provider":"Archive Souq","version":"1.0","type":"link"}